P. From Under The Sheet

Taken from A Patchwork Life: The Hands-On Guide To Living by Louise Silk

Available as an ebook: A Patchwork Life: The Hands-On Guide To Living 

Gevorah/Strength; 10”H X 14”W;
Hand Stitched Silk; Old Quilt Backing; 2020

The feminist revolution had to be fought because women quite simply were stopped at a state of evolution far short of their human capacity.

Betty Friedan; The Feminine Mystique; 1963

The disappointment I harbor that we haven’t come to a place of gender and racial equality in my lifetime is deeply palpable. A religious teacher, observing the look of frustration and disappoint on my face as he explained a Jewish law that excluded women, counseled that I needed to be patient, the women’s movement is young; significant change takes time. 

On one hand, current society is woefully derelict in its vision and practice of all things equal. On the other hand, considering that growing up well into my late teens, I thought my only job was to stand beside my man and look cute, I surrender to the realistic nature of progress over perfection. I admire and support my revolutionary sisters who employ more radical means, but it’s not me.

My feminist trajectory began in the early seventies with a phone call from a neighbor organizing a women’s conscious raising (CR) group to investigate all aspects of womanhood.

During weekly evening meetings, members pursued grassroots liberation, one by one, with an eye-opening series of questions and discussions. Topics included non-traditional living situations, altering gender roles, equal opportunities in the workplace, increasing access in education, body politics and sexual liberation. Every word, piece of writing, and discussion was totally revelatory and shocking for me.

The decision to quilt came from the serendipity of an article in MS Magazine about quilting making as a woman’s art form. I identified with the idea presented that men having little interest in needlework, left women unsupervised to explore the craft on their own.

My Home Economics training and my consciousness raising came together in the creation of my first quilt, a queen-sized machine-pieced hand-quilted grandmother’s flower garden. Over the year and a half, it took to make that quilt, a lifelong passion came into being.

While feeling the dissent festered and gnawed within me but being resistant to change, I clung to my traditional model, finishing my degree in Home Economic Education and marrying my high school boyfriend.

Our relocation to Chicago in 1973, was the prelude to action. Looking to meet people, I answered an alternative newspaper’s ad gathering women to fight for legalized abortion. Through that, I became a member of Health Evaluation and Referral Service (H.E.R.S.) where I learned how to negotiate and evaluate a medical system that had no consideration for women’s rights.

Our focus was on a woman’s right to free choice in all things related to health, exposing medical issues such as faulty health research, limited birth control, inadequate health education, sexual wellness, and legitimatizing homosexual rights.

The main source of our inspiration was the Boston Women’s Collective book, Our Bodies, Our Selves. We sold it, as available then, in a thirty-five cents newspaper print edition. Through its guidance, we explored cervical self-exams, vegetarian diets, self-aware orgasms, and the politics of male-denominated control in all things related to health.

Our main action was evaluating abortion clinics and then making referrals by way of a hotline. There was no government regulation of clinics at that time. In addition, we opened a free clinic where we taught classes, disseminated birth control and monitored legal battles.

This was my first experience with a like-minded women’s collective, offering leadership training and positive reinforcement. H.E.R.S. built confidence. This applied first and foremost to the women’s healthcare system but also spilled over to each of our individual skills. H.E.R.S. showed me that quilting had value and that it was my particular skill set to contribute to the group. We had quilting retreats at a member’s family camp where I taught everyone to quilt. We organized group quilts to celebrate life events. My time with H.E.R.S made me feel valued, both as an advocate for women’s health and as a teacher of a women’s craft form.

Wisdom Congregation; 14”H X 95”W X 1D”; Accordion Book composed of 10 Hand Embroidered Women’s Faces; Clothing Remnants, Text-Embroidery Embellishment; 2003.
Collection of Jaffe Center for Book Arts, Florida Atlantic University

A. TRUTH

Taken from A Patchwork Life: The Hands-On Guide To Living by Louise Silk

Available as an ebook: A Patchwork Life: The Hands-On Guide To Living 

Emet/Truth; 10”H X 10”W;
Hand Stitched Silk; Old Quilt Backing; 2020

…feelings like disappointment, embarrassment, irritation, resentment, anger, jealousy, and fear, instead of being bad news, are actually very clear moments that teach us where it is that we’re holding back. They teach us to perk up and lean in when we feel we’d rather collapse and back away. They’re like messengers that show us, with terrifying clarity, exactly where we’re stuck. This very moment is the perfect teacher, and, lucky for us, it’s with us wherever we are.

 Pema Chödrön

I am the descendent of a particularly action-oriented mother and a singularly open-hearted father, neither of whom expressed their feelings. I wrote a three-volume set, Threads, about their lives to help me resolve life-long unexpressed emotions that had affected my physical well-being. It worked. I created a written legacy for my children and resolved a host of inherited family difficulties that had heretofore harmfully impacted my life. The process helped me to accept my life as it is, with much less judgement.

Writing A Patchwork Life is the next step to acknowledge and appreciate the emotional and spiritual underpinnings that have driven my life-long passionate participation in an art quilt movement.

Over the years, I have produced a mountain range of patchwork quilts. Creating patchwork requires such skills as discernment, vision, organization, determination, practice, patience, and compromise.

Using patchwork as a metaphor for the piecing together of other aspects of life: making dinner, organizing a ritual, having a conversation, writing a blog, making a book, requires the identical skills of combining seemingly disparate things into an aesthetic meaningful whole. My quilt experiences culminate here as a display of my particular capacity to piece together just about anything.

Howie and Weezie; 5” Square;
Hand Embroidery; 1998;
Private Collection

My PatchWork Life

A PatchWork Life: The Hands-On Guide To Living Piece By Piece

Taken from A Patchwork Life: The Hands-On Guide To Living by Louise Silk

Available as an ebook: A Patchwork Life: The Hands-On Guide To Living 

is a short herstory of my quilt making world. Beginning with this blog entry, I will post pieces of it. Enjoy!

Back Cover Statement

EPILOGUE:

THE QUILTS THAT PIECE THIS TOGETHER

This is the time to be slow,

Lie low to the wall

Until the bitter weather passes.

Try, as best you can, not to let

The wire brush of doubt

Scrape from your heart

All sense of yourself

And your hesitant light.

If you remain generous,

Time will come good;

And you will find your feet

Again on fresh pasture of promise,

Where the air will be kind

And blushed with beginning.

John O’Donohue

Fourteen Flags Installed
Flags

I was in process on this project when the world was struck by COVID-19. Our altered daily lives encouraged my deep dive producing fourteen flags, a kimono, and a quilt that visually piece together this writing. 

The textiles I gathered are the leftover silks on hand. Most, my parents brought me from travels, difficult to use, but significant in memories. The idea to use flags came from creating Tibetan flags for our garden and a flag installation on the High Line in NYC.

The chapters follow the letters of the title. For each letter/chapter, I pulled out its underlying theme, searching for a Hebrew word or expression that exemplifies it.

A. Emet/Truth: True Self is simple; ego makes it complex.

P. Gevorah/Strength: Sisterhood is powerful.

A. Yesod/Longing to connect: Every quilt tells/is the story.

T. Tiferet/Acceptance: Integration. Process over product.

C. Stetl-Community: If not now, when?

H. Shekinah/Feminine aspect of G-d: 4 worlds, 5 dimensions,10 attributes

W. Kine-Ahora/No Evil Eye: All change begins within.

O. Netzach/Victory

R. Briah/Acceptance: Life is pure creative energy.

K. Ahava/Love: Synchronicity

L. Besherit/Meant To Be: Wisdom plus understanding

I. Ayeh Hasher, Ayeh/I Am Who I Am: So above, so below.

F. Chocmah/Wisdom: Layers upon layers.

E. Ain+Yesh/None+All: The quilt as metaphor for life.

Flags

I want to start off by acknowledging that I am very aware that I have quite the advantage with this working at home situation. Having spent years alone in my studio, I very simply see this time as one more opportunity to hunker down with my current project: 14 flags to illustrate my in-process writing: A PATCHWORK LIFE.

My interest in flags came from two sources: first a commission for a DC hotel and second my husband, Steve’s desire to produce his own prayer flags.

Steve’s Flags
SilkDenim Hotel Commission

In response to the Tree of Life Massacre I made this flag:

And a trip to NYC helped with my inspiration:

And yet another commission:

D.C. Denim Flag

And now a hint of more to come:

Flag C

Next Year Safe and Healthy

Each person in our family received the following list to prepare for Wednesday’s Seder. Maybe you will find it helpful:

2020/5779 SEDER MENUCHAT HANEFESH-CALMING THE SOUL IN DIFFICULT TIMES

For this Stay-at-home Seder, you will prepare your own food. While making your choices, keep in mind what the traditional food represents and select an alternative food easily available to you during these circumstances to use as a replacement. 

Candles and matches- any kind on hand

Soup- Chicken soup is undoubtably the symbol of Jewish cuisine but for this, use your favorite go-to comfort soup, something easily made on hand: packed noodle, canned or boxed soup.

Wine– In our tradition, wine represents the life force and the hope/blessing for fertility. Use whatever drink(s) give you hope for better blessings.

Matza- Our bread of affliction (Deuteronomy 16:3) is made of only two ingredients, water and flour signifying poverty and difficulty. As the bread of freedom it represents the byproduct of God’s swift and miraculous salvation liberating the children of Israel. As the food of faith, it imagines our afflictions as a precursor to redemption and links slavery to freedom. For your matza, choose a simple and unadorned basic nourishing food that gives you hope.

Seder Plate-These food together will serve as our main dish.

beitzah(egg)- represents new life and springtime- traditionally a roasted egg, but consider any form of egg, or any kind of seed or nut, an avocado or avocado pit, or even a flower

karpas(fresh vegetable dipped in salt water)- also spring, renewal, along with the tears of slavery- traditionally parsley- consider anything leafy or celery or avocado, or even a onion.

maror(bitter herbs)-the bitterness of our lives- traditionally horseradish – consider anything spicy.  

charoset(brick mortar)- the hardship of slavery- traditionally a mix of nuts, apples, and wine- try a mix of some kind of fruit and nuts like peanut butter and jelly or granola.

lamb shank, beets- bloodshed required to induce freedom- consider any slice of meat or beets or a yam, anything colorful.

orange(equality)- for all genders and races- this is for something you don’t normally see on a seder plate- so use your imagination.

olives (peace)- What represents peace to you?

carrots(sustainability)- a simple, practical, nutritious food.

potatoes(sustenance)- another basic practical, nutritious food.

fish(merit)- something a little extravagant 

chocolate(fair trade)- something that represents the rights of workers

Ezekiel Sandwich– a combination of any of the above to combine distinct flavors into the harmony of Oneness.

Cup of Miriam and Cup of Elijah– two extra cups one for your favorite drink and one for water.

Dessert- something sweet

Going Virtual

In this day, the world is filled with stories. Here is mine: an opportunity of a lifetime having a solo exhibition in a beautiful downtown gallery with weekly demonstrations to be with the public and then a pandemic that requires everyone to stay home.

Thank goodness, the sponsoring organization Contemporary Craft is onto creative alternatives to get the work: thus this interview with me. I am reblogging it here- mostly for my own documentation, but also if you haven’t see this before, another opportunity to enjoy!

Me at Fiberart International

Louise Silk is a Pittsburgh-based artist, writer, and quilter. For over forty years, she has been creating art that combines aesthetics and functionality with meanings and memories for family, friends, individuals, and organizations. In additional to creating exhibition-level artworks and running a zero-waste studio, Louise also join forces with her daughter at SilkDenim, a web-based shop selling one-of-a-kind, handcrafted 100% recycled clothing, bags, and quilts.

Her solo exhibition – ReNew – is on view at Contemporary Craft’s BNY Mellon Satellite Gallery in Downtown Pittsburgh through May 2020. Her artist demonstration on every Wednesday during the run of her exhibition is on hold due to the COVID-19 pandemic, so we are happy to share more about Louise and her creative processes here. Louise also sent us a video to show us her studio, so make sure to read until the end!

Rasiel’s Mantle

Contemporary Craft (CC): Can you describe your work that is now exhibiting in ReNew for people who can’t see it in person?

Louise Silk: The work is divided into three sections: “Quilts”, “Denim”, and “Words of Wisdom”. The quilts, mostly kimono shapes representing angels, are made of tee-shirt remnants in a freeform patchwork. Piecing circles, in combination with stretchy knits is technically demanding, making it fun to bring everything together into a workable format that transforms wasted cloth into a greater purpose.

I partner with my daughter, Sarah, as SilkDenim, where we emphasize the craft & beauty of re-making 100% recycled materials into individually crafted objects. Our mainstay is denim because of its rugged practicality and unique ability to improve with age. The pieces in ReNew use the most challenging parts of deconstructed denim: the waistbands, the back seams, and the pockets. In addition to the spiritually inspired angels, two of the denim pieces, Dina’s Coat of Many Colors Ketonet Passim and No Hate Flag, are politically motivated. Dina, the daughter of Leah and Jacob, is the biblical accounting of women’s violation and relates to the current #MeToo movement and No Hate Flag is my response to the lives lost at the Tree of Life massacre.

“Words of Wisdom” was inspired by traditional samplers that used phrases like “a stitch in time saves nine”. I modernized that idea by using encouraging phrases and quotes that permeate the internet today with the intention of creating a more positive dialogue during the current political environment. This is the project I worked on while doing artist demonstration on-site at my exhibition. I documented some of the work on my Instagram (@Silkquilt).

Detail of Dina’s Coat

CC: What draws you to fiber arts? Why were you drawn to upcycling and reusing materials?

Louise Silk: I have always been drawn to cloth. The only thing I did particularly well in high school was sew. I have a B.S. degree in Home Economic Education. The transformation to Fiber Art began with an article in MS Magazine in 1972 about quilting as a women’s art form. 

Fiber is pervasive throughout our environment and particularly relevant to our everyday lives, making it the perfect medium for unending exploration. Upcycling and reuse became the only sensible way to keep working sustainably within our current environment.

ReNew

CC: Tell us more about your how you work and about your creative process.

Louise Silk: It seems funny to say, but my work is very organic. I live in a 2700 sq. ft. loft with a plethora of materials. The content of my ongoing process flows from what’s on my mind, how I am feeling, what’s happening around me. 

CC: How does your background influence your work? And how has your work evolved over the years?

Louise Silk: I am in process on a memoir called “A Patchwork Life” that explores the evolution of my work. Once again, the best description is organic and fluid. The quilt I made in association with the writing is a series of fourteen flags – each representing a chapter of my work. I will also make a kimono/angel for it.

CC: What are your inspirations?

Louise Silk: Spirit practices like Zen and Kabbalah; engaging in a thoughtful process; contemporary art and artists; high fashion and interior design.

CC: What is your dream project? Or if you have completed one already, what is it?

Louise Silk: I would love to have a major gallery exhibit that was an enclosed environment made totally of quilts.

Contemporary Craft Drop In Studio

CC: What’s the most fulfilling part about being a maker?

Louise Silk: Every day is exciting and meaningful.

CC: Tell us about your favorite artist or artists that inspires you.

Louise Silk: My favorites are Louise Bourgeois and Magdalena Abakanowicz, both fine artists who use fiber in their work. 

CC: What role does the artist have in society?

Louise Silk: I have always been a little ahead and to the left of the general society and as much as that is true for other artists, we help to inspire and forge the path.

CC: What is the best piece of advice you received as an artist?

Louise Silk: Be open- don’t hesitate- discover connections-follow your gut- take it further.

CC: Lastly, what is art/craft to you?

Louise Silk: Pure inspiration.

Louise Silk: Studio Tour | Video by Steve Root

And also now a tour of the exhibition Renew:

ReNew: The Words

Showing at BNY Mellon Contemporary Craft Satellite Gallery

This part of the ReNew Exhibition is a collaboration project with my daughter, Sarah Silk. Together, we are SilkDenim, re-making 100% recycled materials into individually crafted objects. We’re particularly attracted to denim because of its rugged practicality and unique ability to improve with age. ​Using recycled materials requires us to work with authentic details & create every piece anew, providing a unique one-of-a-kind object that emphasizes the craft & beauty of re-using over discarding.

Words of Wisdom came from our personal collections of words, phrases and inspirational quotes that permeate the internet. Why not translate them into a evocative textile that embody warmth, craft, and permanence?

Words of Wisdom; Individual Word Blocks; Various Sizes, Materials and Techniques. $95 each.

Words of Wisdom: You Create
Embroidery, patchwork, hand stitching 
Words of Wisdom: Mindful Steps
Embroidery, patchwork, hand stitching 
Words of Wisdom: SuperHero
Reverse applique, patchwork, hand stitching 
Words of Wisdom: Imagine
Reverse applique, patchwork, hand stitching
Words of Wisdom: ReNew
Hand embroidery, quilting, reverse applique; recycled SilkQuilt, Mother’s hand embroidery 

Renew: The Denim

Showing at BNY Mellon Contemporary Craft Satellite Gallery

Dina’s Coat of Many Colors Ketonet Passim; 57” W X 52” L X 2” D; Hand and Machine Pieced Denim Remnants, Old Quilt Remnant. Hand Quilted; $1600.00.

The current #MeToo movement is an expanded global community of survivors from all walks of life highlighting the breadth and impact of a worldwide sexual violence. They demand perpetrators be held accountable and strategies implemented that sustain long term, systemic change.

Dina, the daughter of Leah and Jacob, is the biblical accounting of women’s violation. The equal combination of divine attributes of strength, gevorah, and lovingkindness, chesed, come together as a significant force in the healing process.

Uriel’s Yukata and Pant; 66” H X 54” W X 2” D Machine and Hand Pieced Colored Denim and Old Quilt Top; Boro Stitching; $1100.00

Each angel has a single divine purpose. The angel Uriel is an action angel preforming service for universal peace. A yukata is a casual version of a kimono. 

Saturday Night Angels; Blue 27” L X 53” W X 4” W; Multi-color 36” L X 41” W X 4” W; Machine Pieced denim and sweatshirt remnants; applied denim seams; $900.00 each.

These Angelic Mantles represent the metaphysical color system of angels based on seven different light rays. Working with recycled denim, the most difficult part of jeans to use is the back-center seam. These pieces transform that waste into this higher purpose. 

No Hate Flag; 33” H X44” W; Machine Pieced and Quilted Denim Waistbands and Remnants, $1111.00.

There is a long extensive herstory of quilts made as a public expression of political issues. This was mine in response to the lives lost at the Tree of Life massacre.

ReNew: The Quilts

Showing at BNY Mellon Contemporary Craft Satellite Gallery

Gabriel’s Mantle; 52” W X 26” L X 2” D; Machine Pieced and Hand Quilted Tee-Shirt Remnants, Old Quilt Remnant; $900.00

Gabriel is the pure spirit identified with the divine attribute of Yesod- the longing to connect. The mantle, like a quilt, serves the practical function of keeping someone warm protecting them from the elements. In this case, it also serves as a symbolic divine representation.

Rasiel’s Mantle’s; 43” H X 63” W X 2” D; Machine Pieced and Hand Quilted Tee-Shirt Remnants, Old Quilt Remnant; $1600.00.

The archangel, Rasiel, presides over our actions transforming the knowledge of information and ideas into the wisdom of achieving our deepest levels of understanding. The mantle, like a quilt, serves the practical function of keeping someone warm protecting them from the elements. In this case, it also serves as a symbolic divine representation.

Holy, Holy, Holy; 77” H X96” W X 8” D; Machine Pieced and Hand Quilted Tee-Shirt Remnants, Old Quilt Remnant; $1800.00

In Isaiah 6:3 of the Hebrew Bible, one Seraphim exclaiming to another: Holy, holy, holy, is The Holy One: the whole earth is full with This Glory. Stating the word three times in a row emphasizes complete devotion to what is good and righteous.

Free Form Quilt #4; 76” H X 63” W;
Machine Pieced and Hand Quilted Tee-Shirt Remnants; $495.00

Quilts made of tee-shirt logos are a way to consolidate, combine and celebrate important memories. The problem becomes what to do with discarded sleeves and the edges? Free form patchwork means that there is no pattern. I take the pieces and combine them in any way they come together. The fact that circles are the most challenging seams and knits are the most stretchy materials creates quite the challenge, but it is also part of the fun to be able to bring it together into a workable format. 

A Most Significant Ritual

ReNew; 16”H X 12”W; Hand Embroidery, Quilting and Reverse Applique;
Recycled SilkQuilt and Mother’s Hand embroidery.

At 9:00 today I will create what feels like a very significant ritual. I will put on my walking shoes, pack up a hot tea, download my latest Impeachment podcasts and walk from the loft down to Contemporary Craft’s BNY Mellon Satellite Gallery where my exhibition ReNew with a selection of some of my most vibrant and powerful works will be on display from today through to May 1st.

When the opportunity presented itself, my first thought was how cool would it be to actually sit in the space, allowing the viewers an opportunity to not only see the work, but also share in the process: observe the stitching, ask questions, suggest ideas, even sit along with me and having their own stitching experience?

The seed germinates. The idea presents itself. It is fostered and supported. A ritual is created including an observation, an acknowledgement, a step, a stitch, a sip, a listen, a word, an action, a thought, a prayer. It feels powerful and I wanted to share it with you.

Hope to see you there, every Wednesday around lunchtime for the next 12 weeks.

Addendum: This is the video tour of Renew